All the exciting digital work

MadWomen PodCast by Miami AdSchool Students

Advertised brand: MadWomen Podcast
Advert title(s): MadWomen Podcast
Headline and copy text (in English): A podcast with badass women and beer.
Media (see available options below):
Advertising Agency: Miami Ad School, Miami USA
Agency website:
Art Director: Alex Krahling
Copywriter: Yessy Downs
Synopsis: A podcast with badass women in the advertising industry…and beer!

Arkia Airlines presents “The Price of Marriage” – a Valentine Special : Leo Burnett, Israel

Arkia is the only airline company in Israel offering a short (5 hours) direct flight to Zanzibar. And yet, when Israeli couples plan their exotic-romantic vacation, their first choices are Thailand or Mexico (over 12 hour flights). So how could we make Zanzibar their destination of choice and bring it closer to their top of mind?

THE ANSWER: A special Valentine’s Day offer based on YOUR marriage.

Book a romantic flight to Zanzibar on Valentine’s Day and get a discount based on the number of years you are married.

Married 1 year? 1% off!
Married 50 year? 50% off!
Well, you get it…

Watch our commercials here:



Advertising Agency: Leo Burnett Israel
Chief Executive Officer: Adam Polachek
Executive Creative Director: Ami Alush
Copywriter: Chen Federing
Art Director: Roei Hazout
Producer: Simi Ben-Zikri
Account Director: Limor Michaeli
Account Manager: Ilana Peisakhin
Account Executive: Inna Tubin

Little Chorti : The Guardian Angel App : Memac Ogilvy, Tunisia


Advertising agency: Memac Ogilvy Label, Tunis, Tunisia 

With more than 1500 people dying every year, Tunisia, has the world’s highest death rate due to drivers breaking the speed limit. Oilibya a regional Petroleum Brand approcahed us to do something about this.
So we decided to put the solution in childrens hands.

The Idea:
The first ever mobile app that enables children to remotly monitor their parent’s speed when they are on the road.
The app links both, the child and the parent phones and notifies the child everytime his relative exeeds the authorized speed limitation.When the child recieves the notification, he would be able to record a voice message that can be played immediatly on his parent’s sounds system.

Live Kill for Or Yarok by BBR Saatchi & Saatchi

Texting while driving and even live broadcasting while driving has become an international plague. Truth is over 80% of accidents are caused by people using their phone while driving. Yet still, regular communication campaigns don’t deter youngsters. Because no matter how gruesome commercials about this issue are, young drivers still ignore them.

Because they’re ads.

So we decided to engrave the experience of watching a real car crash in young drivers’ minds FOREVER.
By getting them to watch someone they love die.


To do that we hacked YouTube’s live broadcast feature and broadcasted a 6 minute pre-filmed video of their favorite vlogger as if it were live.

The hacked broadcast generated record high results:
Over 2500 fans watched in real time
Fans sent in thousands of worried comments and “Aha-got the message” posts
By the next day 57.000 youngsters had watched the broadcast – a clear indication our message made an impact.

Chief Executive Officer: Yossi Lubaton
Chief Creative Officer: Jonathan Lang
VP Creative Director: Idan Regev
VP Creative Director: Idan Levy
Social & Digital Creative Director: Idan Kligerman
Creative Team: Niv Herzberg & Evgeniy Utkin
VP Client Services: Maya Salomon
Account Executive: Shirley Konka
VP Content & Production: Dorit Gvili
Production Manager: Maya Palmon
Creative Coordinator: Eva Hasson
Video Editor: Dan Deutsch
Traffic Director: Ronit Doanis
Studio Manager: Yaron Keinan
Graphic Designer: Yulia Zak


FruitBowl : Agency Profile

In 2010, FruitBowl was co-founded by Faisal Amin and Dedeepya Reddy. The company is a creative digital marketing agency of the freshest minds brought together to conjure the most creative effective solutions to all the brand challenges. It has successfully served more than 300 accounts which include national giants like Reliance Energy, Mumbai Metro, Hilton, TATA, Vadilal, Zodiac, BMW, Saint Gobain, Sansui, and more. The company has also won numerous prestigious awards like Asian Consumer Engagement Forum, Drivers Of Digital Awards, etc. Today, FruitBowl is a formidable name in the industry with a strong physical presence in three countries; India, USA and France, and has a marquee of 300+ happy clients and award winning campaigns. FruitBowl’s co-founder Faisal Amin has been featured in the list of Top 50 Digital Marketing Professionals in India. He has also been featured on the list of The 30 Most Influential Young Entrepreneurs of 2016.

What made you start FruitBowl?
As a budding advertiser, I had a humble beginning. Post my management studies, I worked with a few companies and realized the fact that decision-making processes in big places were often a tedious process, I planned to take control and go solo. Cutting out unwarranted time on discussions and meetings, I focused more on getting result oriented decisions with low time slack. The result of putting this decision making to the test was Fruitbowl Digital.


Glamour World Ayurvedic by SoS Ideas, Kolkata

Kolkata based agency SoS created an episodic idea for its client Glamour World Ayurvedic where every day one single episode was uploaded and after a week, all the episodes brought out a compelling story highlighting the product benefit.

Executive Creative Directors: Souvik Misra, Soubhik Payra
Creative Director: Sourya Deb
Copywriter: Sourya Deb, Koushik Jana
Art Director: Koushik Jana
Illustrator: Harsho Mohan Chattoraj

The project FaceBook page is here.


How Startups Are Using Social Media (A Report on I00 Indian Startups)

“How to use social media to achieve business objectives?” is still once of the biggest questions marketers and digital marketers have to deal with on a daily basis. A 2015 EY Study showed that not being able to measure social media success and sustain engagement rate are biggest challenges for Indian brands.
XOR Labs decided to make sense and quantify the social media efforts in India by tracking social media profiles of 100 Indian startups for a period of 3 months—from July 1 to September 30.
Although many large businesses have adapted social media, Indian startups are the pioneers in deploying social media strategy. So instead of selecting old players, they chose Indian startups to be the subject of the study.
Although fundamentals are the same, how social media is managed for an ecommerce has to be different from sexual wellness space. So to make the report more meaningful, they categorized 100 startups into 13 segments—from horizontal ecommerce and food delivery to fashion and fintech.
Here are some insights from the report. Download the full report and more information from the Xor Labs website here.



Xor100 Social Media Report on 100 Startups by DesiCreative on Scribd

Alternatively view the document here.

Hotwheels from Miami Ad School

Hot Wheels was once a household name as children raced the small die-cast cars in living rooms. However with the digital revolution, Hot Wheels were parked aside as they lagged behind. To enter the digital realm while staying true to its brand equity, Hot-Wheels introduces: ScanRace for Xbox— where the living room actually becomes the racetrack and the digital realm drives [pun intended] physical-product sales.


Advertised brand: Hotwheels
Advert title(s): Scanrace
Advertising Agency: Miami Ad School
Art Director: Joao Magalhaes
Art Director: Zuheir Kotob

The Vertical Blind Spot for Ford b: BBR Saatchi & Saatchi

To promote the Ford Edge’s innovative BLind Spot Information System, Baumann Ber Rivnay / Saatchi & Saatchi Israel is leveraging the growing popularity of the vertical video format on Facebook to launch a mobile commercial that creatively uses the two standard black bars that appear in regular horizontal ads. When playing the video, the black bars which initially cover portions of road drivers would not see unless they had BLISS, fall away to reveal how the car’s advanced system would capture them.

Not surprisingly, the Facebook post generated record high results for the brand with over 600.000 views in 4 day, 300 shares and a reach of over 1.1 million Israelis (in a country of just 8M).
Clear proof that in a world where consumers can no longer be bothered to turn their smartphone horizontally to watch content, vertical rocks!

Take a look at the original Facebook post (Hebrew version):


Air date: November 28th 2016
Chief Executive Officer: Yossi Lubaton
Chief Creative Officer: Jonathan Lang
VP Creative Director: Eran Nir
Social / Digital Director: Idan Kligerman
Copywriter: Shushu E. Spanier
Art Director: Aia Kujnitzy Bechor
Group Account Head: Ben Muskal
Account Supervisor: Chen Halpern
Account Executives: Gil Gershon, Hadar Goren
VP Production & Content: Dorit Gvili
Production manager: Maya Palmon
Strategic Planning Supervisor: Lora Goichman
Planner: Roie Gortler
Creative Coordinator: Eva Hasson
Traffic Director: Ronit Doanis
Studio manager: Yaron Keinan
Production Company: Tifferet Films
Head of Production: Doron Lahav
Director: Shushu E. Spanier
DOP: Guy Mador
DOP Assitant: Ori Aloni
Editor:Matan Cohen-Grumi
Ford driver: Paz Alush
Motorbike driver: Hai Tal
Production’s Assistants: Shoham Baruch, Tal Bar

Prepare to be amazed by Mazda : BBR Saatchi & Saatchi

For years Mazda cars owned the road in Israel. In fact, the car was so popular, you saw it everywhere. A blessing…but also a curse as the car’s popularity began to affect the way Israelis perceive the brand. As a victim of its own success, Mazda went in the eyes of many Israelis, from a car with major sex appeal to one that is boring and grey. A leasing car; nothing to write home about or get excited.

But this year we had news for consumers. We were launching a new, sleeker, better designed, more advanced, accessorized and safer car than ever before and we wanted Israelis to take notice. That’s when we realized that to redress misconceptions, we’d have to address Israeli consumer’s concerns head on. To do that, we took on consumers’ harshest criticisms, most negative comments and lethal talkbacks. and with the help of Ben Collins, better known as Top Gear’s “Stig”, we proved to them beyond the shadow of a doubt what an incredible car the new Mazda is.

The result is a fully integrated campaign that includes a series of four daredevil commercials each highlighting a different aspect of the car, an interactive website, an outdoor campaign and a brand new Mazda catalogue shot by the world’s dumbest dog just to prove that no matter who’s taking its picture, the Mazda will always look amazing.

Campaign commercials  – “The Hunt”, “The Blind Drive”, “The Caraoke” & “The Beauty Shot”:

The YouTube Channel is here.

Campaign showcase page is here.

Campaign Website is here.


Agency: BBR Saatchi & Saatchi
C.E.O: Yossi Lubaton
Executive Creative Director: Jonathan Lang
VP-Creative Director: Eran Nir
Copywriter: Ran Even
Art-Director: Ori Hasson
VP-Group Account Head: Ben Muskal
Account Supervisor: Chen Halpern
Account Executive: Gil Gershon, Hadar Goren
Strategic Planning Supervisor: Lora Goichman
Head Of Production & Content: Dorit Gvili
Producer: Alon Shmoelof
Creative Coordinator: Eva Hasson
Digital Creative Director: Idan Kligerman
Social Media Editor: Aviv Melamed
Studio Digital: Michael Shely, Yossi Tayeb, Liron Harel, Yossi Ben-Aviv, Eyal Vinizer, Jenny Gindos
Studio ATL: Yaron Keinan, Idan Marely, Chen Graizman, Yaniv Shahar
ZenithOptimedia: Limor Dahan, Mor Berman, Chen Drori, Eyal KatzafEran Amit
Director: Yoram Ever-Hadani
Production: Tiferet
Client: Delek-Motors LTD
Marketing Communications Manager: Yogev Weiss
Head Of Digital Marketing: Matan Arad
Training Manager: Gal Arbel