Agency Profiles

Trip Creative Services : Agency Profile

Trip Creative Services is a visual communication design house. Their team of creatives, developers and producers are always on the lookout for new and exciting ways to help you communicate. Their strength lies in their ability to fuse your vision with their various backgrounds, to create constructive ideas, movements and experiences.
Their services include: Film/ Video / Animation / Motion Graphics / Branding / Graphic Design / Web+ / Digital / Apps / Games

 

 

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Is Trip Creative primarily an illustration and design company? Do you also work on brand building and corporate identities?
Trip is not just about any single medium like illustration or graphic design. We have a more holistic approach to projects and work towards finding a creative design solution, using whichever medium, that is best suited to the project- be it film or animation or illustration or in rare cases the need of strategy rather than creating another campaign.
Yes, we do work on brands and corporate identities. We also provide video, digital and on ground solutions as well.

Tell us about your designers. Did they go into fine art or design schools? How do you pick them up?
We’re always on the lookout for this inherent ‘keeda’ in our crew, something unique or new that each one brings to the table. Yes, most of our designers did go to design school but it really doesn’t matter where they come from as long as they have that creative mindset which they’re willing and able to apply to any given spectrum.
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Reverse Thought : Agency Profile

Reverse Thought is a young, vibrant creative hotspot. It is a confluence of designers and developers who aspire to create something out-of-the-box, outstanding for clients and more importantly themselves. Reverse Thought specializes in the BAD- Branding, Audio-Visual & Digital.

Is ReverseThought primarily an illustration and design company? Do you also work on brand building and corporate identities?
Reverse Thought is all about Branding, Audio Visual Communication and Digital. At our core we are a design company with deep strength in technology to execute the design. Illustrations form a part of our projects in many ways. We have built corporate identities for a number of upcoming companies and clients.

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Kahani Designworks

Kahani is a young communication design practice. We love a good story and we’re passionate about using design to tell interesting, engaging stories. The kind of work we enjoy doing brings together people, ideas and inspiration from life, literature and art.

Is Kahani Designworks primarily an illustration and design company? Do you also work on brand building and corporate identities?

We do many different kinds of creative and strategy work including illustration, graphic identities, publication design and digital design. Every kind of assignment we take up has the same objective: communication. So whether the need comes from industry, the arts or social entrepreneurs, we work with every kind of client.

Tell us about your designers. Did they go into fine art or design schools? How do you pick them up?

Everyone that’s been part of our team at the studio went to design school. It’s not a requirement, but it happened that way because we’re always looking for people who bring rigour to their work. That’s something that seems to come from formal education, though it’s not a rule. What we do ask of our team is that they commit to the studio culture and work ethic, because we’re not a media house or ad agency and the rules of the game are very different.

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Codesign: Agency Profile

Codesign : By Rajesh Dahiya and Mohor Ray, Founders of Codesign

What made you start Codesign?
What made us start Codesign, what has sustained it so far and what we continue to look forward to is the same – a desire to keep growing through the work we do, without being compartmentalised by scale, media and trends. The idea was to create a rich environment that encourages asking questions and rethinking briefs, with the rigor of hands-on ‘making’. An important thread that has always stayed strong, is the love of content—making sure that design is building on appropriate and rich content, and not acting as a prop for it.

Tell us about your designers. Did they go into fine art or design schools? How do you pick them up?
All the designers in our team currently are graduates from design schools. However this is not, nor has been, a pre-decided condition of working with people. We look at people’s work, and even more importantly how they approach it; build on it—and how they can inspire us back to push our own boundaries.

At the heart of our work is people, and that’s where we look for inspiration—in the way they live, the dreams they dream, the things they trust, the things that make them happy. Through conversation and observation, there is much that we learn which inspires our work. The composition of the studio is diverse by choice, brings several influences and interests, from music and food to crafts and calligraphy, into play with each other. This often brings surprising, new flavours into the way we develop ideas.

In short, there’s no checklist. It’s work, it’s partially gut instinct and it’s a shared dialogue between both a potential hire and us on expectations, responsibilities and the future.

How would you define the design style at Codesign?
We would hope there’s none at all!
And that answers part of the question below.

What does Codesign do which sets it apart?
With a carefully curated team of designers, from diverse backgrounds and with varied interests, we work in an environment that is always evolving and hands-on. For us, no two projects are alike. Therefore, our approach is built anew around each project—by learning from its unique context, and delivering through meaningful engagement with content and meticulous craftsmanship. This approach has enabled us to work with clients across scale and sector, and challenge both our own and others’ notions of design and its relationship with the end-user.
Over the years, we have chosen to steer the practice in a manner that scales expertise and experience, not numbers, while retaining attention to craftsmanship and curiosity to learn more, do more.

Lastly, we are drawn to and choose to invest our energies into self-initiated projects like Dekho (www.codesign.in/dekho), UnBox Festival (2011-13) and now Rising (www.projectrising.in). Self-initiated projects, which come straight from the heart. They are almost always, like most great ideas, from things we love, things that irk us, things we want but cannot find and so on. Therefore all our self-initiated projects have come from within—from people, ideas or experiences within the studio team—shared partially or wholly. They contribute greatly to professional practice—through keener insights into both the process and practice of design in the context of culture and society.

Were there any particular role models for you when you grew up?
Mohor: I can’t really think of any. Though when we first got cable (TV) and I saw MTV, my jaw dropped and I thought this is as cool as it will ever get. Clearly I was wrong. I’ve seen a lot many cooler things/people since then.
Rajesh: None in design. I didn’t even know there was a such a profession. I was mostly inspired by sportsmen and athletes, which is not odd as I studied in a sports school.

Who was the most influential personality on your career in design?
Mohor: To a large degree, and at the risk of sounding biased—Rajesh. He’d taught me briefly in design school, and has continued to be a mentor since. As the founder of the practice, he lay down a lot of the basic moral and creative framework that we work within, and I think what keeps Codesign growing. MP Ranjan, who never attempted to compartmentalize design efforts as a teacher in foundation years, and has been a large influence urging not just me, but generations of design students to look at design through multiple lenses. And Orijit Sen & Amardeep Behl – for running their design practices with a big heart, passion and responsibility, in the face of come-what-may.
Rajesh: Itu Chaudhuri. I worked in his studio as an intern and later as a professional designer for a few years. I understood my whole design education, in retrospect, by spending time with him. I do not know of anyone else who can share his or her knowledge so selflessly. He taught me how to think, to question principles, embrace logic, and above everything else… inspired me to be a good human being.

Are you working with any brands?
We recently concluded the first phase of brand identity redesign for Royal Enfield. This was especially challenging considering it is more than a century old brand with a cult following. Our work with the redesign is in tandem with the overall brand vision towards consolidation, growth and diversification.

We’ve been working over the years with Asian Paints, developing content & design of a colour magazine for architects and interior design, called Colour Quotient. The content here is the real brand hero, and it has been an interesting journey shaping it bit by bit through the last 3 years.

One of our newest engagements this year has been with the champions at Breakthrough, an organisation that works in the are of gender violence. We have redesigned the bi-lingual identity of their popular ‘Bell Bajao’ campaign that encourages people to take action against gender injustices. The second has been to brand a new programme to sensitize children in semi-urban parts of Haryana on issues of gender equality and rights, through workshops and activities.

In production currently, is a book on the works of contemporary Indian artist Bharti Kher that we designed.

All this and continuing efforts on our new platform on visual communication for change called Rising (www.projectrising.in). Rising began as a reaction to the world around us and issues that affect us, through the lens of Codesign’s core competency as visual communication designers. While a large percentage of projects were being commissioned by for-profit clients, the occasional project in the development sector, gave us room to think about leveraging the same skills of communicating and change-making to address social issues.

How did the opportunity to design the D&AD Annual come about?
We met Laura (President, D&AD) at a gathering in Delhi to announce the D&AD awards. We got talking about design, toddlers and other things that excited us, and eventually said our goodbyes hoping to do ‘something’ together when the opportunity came. It was a few weeks later that we heard back from Laura and her idea to bring together 5 creative practices from across the world to design the 2014 Annual.

Tell us about your design for the Annual. How did you approach it?
There is a beautiful dichotomy in the canvas that we design in and for. There’s the ‘hidden’ framework of order that the designer works on. And there’s the ‘visible’, vibrantly chaotic frame within which design artifacts are eventually displayed and consumed. For the opening pages of the ‘Design’ section in this Annual, we wanted to bring together the two into one composition: distinct visuals of underlying structures, and the usage/consumption from everyday life. The intent is twofold – a celebration of the beautiful contrast, that is, in many ways, representative of everyday life in India; and a reminder to step out of our studios, into the ‘real’ world, to find inspiration.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
The present is an interesting time to be practicing in India. The awareness of what design can do is growing across all sectors – commercial, cultural, even political. It’s boosted by successful real-life cases of better user engagement and experience through design. Design can successfully straddle both macro and micro levels of user experience, which makes it an especially powerful tool in a country like India, where reality is often fragmented between the old and new, big and small, local and global.

There’s always room for improvement in everything. But we are largely on the right track. Moving beyond questions of form and style, it is heartening to see instances of work, which are Indian in their form of query, and therefore a truer response to our environment. That to us, is an authentic representation of the Indian identity. The identity will continue to emerge, not as a set of guidelines, but through an increased sensitization to the lives of end-users—paving the way for design which complements both the diversity and transformation of culture.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
•    Design is not a career option, it is almost a life choice. So you’re never going to be “off-work”—whether you are trekking, cooking or dating. Everything has the potential of inspiration, you’ve only to learn to spot it.
•    Work hard, with your heart in it and respect every bit of the process, from the big idea to the colour-proofing.

Who would your design team like to take out for dinner?
Wolfgang Weingart. He’s got some stories!

What’s on the company iPod?
There’s no company iPod or playlist. If you walk across the studio it is likely you will encounter everything from jazz to thumri, Kishore to Metallica and Hinglish to Malayalam, in five minutes flat. Of our 2 studio dogs, Saaboo has been known to show a liking for the saxophone, while Ninja hates percussion instruments.

Codesign can be found here online.

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Open Minds poster

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The Codesign studio, Gurgaon

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Colour Quotient magazine covers

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D&AD Annual 2014, page 430

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Royal Enfield crest

 

 

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nbox poster

The HotStart : Agency Profile

TheHotStart is a crowdfunding platform that aims to help raise funds for the most creative and innovative projects in India. TheHotStart has been conceptualised to help creators and funders get one step closer to realizing their dream projects. While helping raise funds is one thing, TheHotStart also acts as a preliminary validation point for a concept. Another benefit is the word-of-mouth marketing that it attracts. Barely a few months since its inception, TheHotStart has already helped fund some great one-of-a-kind projects like Kalyaanam – a 10 minute short film that got selected in the London Indian Film Festival, gives you a glimpse into the life of a would-be-bride, Rhythm of Love – the first crowdfunded jukebox musical in India and Taan Bekro, a documentary based on the struggles of Rajasthan’s ‘Sapera’ tribe.

What made you start TheHotStart
It almost happened by chance. In June 2012, our cofounder was with a couple of his friends at a pub in Manhattan, New York. The friends were discussing how it was difficult for Indian projects to succeed on US-based platform. The big challenge was the geographic divide between the funders and the location where the project was going to be executed. And, therefore, potential contributors struggled to see value in projects. That really was the origin. There appeared to be a genuine market need to connect people with people who had the funds to power their ideas. Over the next six months, the idea of creating a high quality crowdfunding ecosystem for creative and innovative projects in India started to take shape.

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Ting: Agency Profile

Ting is a creative and digital agency based out of Chennai and Mumbai.

What made you start Ting?
A hot summer day, a flat tyre and a long chat was the lethal concoction that killed our jobs and mothered TING!

Back then, we were a bunch of freshers working in different ad agencies, discussing our jobs and how we were all frustrated with serving coffee, cropping images and proof reading. Over that road trip is when we decided to throw in the towel and start our own agency.

Two offices – one in Chennai and the other in Mumbai, our laptops, the friendship, and faith we had built in MICA is the foundation of our passion, our work, our agency; TING.
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Concept Digital : Agency Profile

They (our clients) had a vision and we had a dream. They actually demanded and made us realize the need of the hour. Since the scribble on the wall said, Go Digital, go forth and conquer, we went North! They helped us carve a niche with the opportunities they gave us and brand building, communication – the entire gamut got a digital boost.

Any background on naming Concept Digital?
Respect for the Mother Brand! Why would we ditch the banner we were born with? We take pride in being associated as To the Manor Born!
OR
We had the privilege of being born with a silver spoon in our mouth, as Concept had been a vanguard in advertising in its heyday! So we cruised along with the name and carved our digital identity, as digital was our new avatar.

What has been the reaction of clients and industry to this kind of thinking?
Our digital birth got a red carpet reception as it was keenly awaited by all our clients – they were already ready for it. Minimizing cost and maximizing reach and effectiveness, what more could a client want? So digital was like manna from heaven.

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NH1 : Design and Brand Consultancy, Delhi

We are a year old Brand and Design consultancy based in Delhi. At NH1, we believe design is not just a form or an idea, but an approach to creative problem solving. The journey is as important as the destination. The quality of an idea and its execution is something we refuse to compromise on. We work very closely with our clients, and they get to interact with the team directly involved in the actual design process – nothing gets lost in translation.

What made you start NH1?
My better half – my husband needed to re-locate from Bangalore to Gurgaon. With 10 years of experience under my belt working with R+K and VGC (which has been great), I didn’t want to start looking for another job… so figured why not give this a shot.

How did you get started working on brand building and corporate identities? Why not any other form of design?
So far it has been an organic process. Our first few projects were for branding – these were exciting and a lot of fun to work on. But we do focus on other verticals of design as well – currently the team is also working on Chocolate Packaging, Editorial & Web Design.

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Wow Makers : Agency Profile

We are a young, dynamic creative agency based in Cochin. We make superb designs while helping people, making friends, winning hearts and having fun! Our mission/obsession is to make you go “Wow!”

What made you start WowMakers?
Two reasons: To make lots of money, and to make it by doing what we love. We have one life; don’t waste it by living someone else’s dream.

Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
Actually, most of our team members don’t have a degree in fine arts or design. Many of them weren’t even designers to start with! The fact that we’ve come this far speaks volumes for their raw talent and learning ability. That’s how we hire team members: their talent, attitude and willingness to learn.

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Chirpy Elephant : Agency Profile

We are tightly knit, pint sized shop with an eclectic bunch of talent. “We believe the ingenuity of any well crafted communication should sport a lively, engaging, mammoth idea and bring a massive smile to all concerned stakeholders.”

What made you start Chirpy Elephant?
My partner Jairam and I (Leela Ram), were feeling jaded, working for top MNCs and shops where it was all about toeing the line, humouring clients and heavy emphasis on billing. We felt we were moving away from the core reason of why we joined and enjoyed advertising. Besides we strongly felt, we were on a creative crusade to raise Chennai’s brand communication standards.

Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
We have a fine mix of art talent. Our senior most resource is well rounded with local, national and international work exposure. We have Viscom grads that were handpicked because they had an eye for the ridiculous and also because they hailed from small towns, this helped bring fresher perspectives to the table and ensures a sane work culture.

How would you define the design style at Chirpy Elephant?
Very polished and contemporary with inspiration drawn from diverse cultures.

What does Chirpy Elephant do which sets it apart?
We have the resoluteness and gumption to turn down clients who refuse to buy good work. We chase good work at all costs and not the monies. That’s one reason why we are among the very few shops hailing from Chennai, that has won the admiration of clients and peers across India.

Were there any particular role models for you when you grew up?
Well inspiration comes from everywhere, country music doyens Don Williams, John Denver, Sporting Legend Steve Waugh, Advertising greats Bernbach, Ogilvy, Belgian Art Genius, Erik Vervroegen, Ogilvy’s – Tham Khai Meng, Ace illustrator – Tiagio Hoisel, Maverick Entrepreneur – Branson, stand up comedians and all kinds of people…

Who was the most influential personality on your career in Brand Building?
Anand Bhaskar Halve (Chlorophyll Brand and Communications), when it comes to positioning Subrata Sen Gupta, Anand Siva ex Saatch & Satchi and Akshara…

How important is the focus on a great brand idea?
It’s everything!

Do you function like a traditional advertising agency? Or would you call yourself more of a graphic design/branding agency?
We are ideas shop. Period! The work culture is fun loving and laid back. But there is a strict adherence to meeting client goals and deadlines.

What do you feel about the state of design in Brand Building in India?
Bombay largely and to some degree Delhi and Bangalore is upping the ante; I strongly feel the rest of the country including Chennai has a lot of catching up to do.

Any other Indian agencies you admire?
We adore the work coming out of the all time favourite O&M (at least we admired what they did till a few years ago) very recently it’s been Happy and Taproot to a large degree.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option? Or Advertising and brand building?
Please understand what you are getting into, don’t enter this industry without truckloads of passion, perseverance and patience. Do the hard yards, identify mentor agencies and spend some time honing the skills before you venture out on your own and seek fame. Why just graphic design? there are enough functional roles that will catch the fancy and fuel ambitions.
Who would your design team like to take out for dinner?
Some dear clients who have shown immense faith in our creative leaps and some doyens’ in the industry.

What’s on the company iPod?
A mishmash of the latest Tamil chartbusters and at times some good old country music.

Mac or PC?
Both!

Viral office signage

Young Ones Launch

NAC Store Launch

Half the Praise

 

 

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